In Italy, you can’t help but experience modernity within the context of the past. What is new is quite literally enveloped in what came before. But isn’t that what it should always be like? During my Washington, DC days, I was struck by a quotation from Shakespeare’s The Tempest that is carved at the base of a statue outside the National Archives. “What is past is prologue,” it reads. In a place like the Amalfi Coast, protected as it is thanks to its UNESCO World Heritage Site status, the visual landscape is a narrative that has continued unbroken from the past.

In a place with centuries of history such as the Villa Rufolo in Ravello, it’s possible to walk through its history, starting practically at the prologue in the 12th century and continuing to today. It is within this historic surrounding that a thoroughly modern exhibit has been placed this summer. As part of this year’s Ravello Festival, the show Standing with Truth for Ravello 2017 is a site-specific installation created by Neapolitan born artist Francesco Clemente in one of the Villa Rufolo’s atmospheric spots.

ciao-amalfi-francesco-clemente-villa-rufolo-4

The exhibit is situated in the courtyard and what was once a chapel at the Villa Rufolo. It’s a quiet and reflective setting – perfect for art exhibitions. The courtyard is flanked by two rows of bright red flags painted with symbols at once captivating and dark. A clenched fist holds colorful flowers. A sickle, broken at its base, cuts into a bleeding heart. Two strange creatures embrace. Images with an intensity that evokes a struggle.

Stepping inside the chapel, the narrative continues with a large tent entirely hand painted in tempura. The exhibition notes point out that it’s the type of tent characterized by Asian nomad shepherds. A tent as shelter, a tent as a symbol of changing places. This exhibition is themed around the idea of walls and migration – timely topics in today’s political climate around the world. Clemente has been working with the idea of tents since his ENCAMPMENT series that started about 5 years ago.

ciao-amalfi-francesco-clemente-villa-rufolo

This is a tent you can walk into, explore and experience. I happened to be there at a moment when there were no other visitors and it was a fascinating visual experience. There are ancient symbols, animals and faces that reminded me of Picasso’s Rose Period. The colors are vividly warm and I found myself creating my own narratives as I wandered around inside.

What stories do you see?

ciao-amalfi-francesco-clemente-villa-rufolo

Peering out from inside the tent, you can see the walls lined with a series of watercolors by Clemente that are on display for the first time.

ciao-amalfi-francesco-clemente-villa-rufolo

 

ciao-amalfi-francesco-clemente-villa-rufolo-5

Getting up close to these watercolors, it was possible to see the incredible texture and labor that went into their design. Just look at the design in the concentric circles and the red border below. The works were full of intricate details that are exotic and traditional, playing on the theme different cultures blending together.

ciao-amalfi-francesco-clemente-villa-rufolo

Leaving the chapel, the harsh red flags reveal softer pastel color scheme with messages embroidered in gold thread. As they say, there are two sides to every story, and these flags fluttering in a summer breeze were reminders of that.

One tie-died flag caught my eye in particular. It says, “Il piu moderno qui è anche il piu’ arcaico.” That translates to: “The most modern here is also the most archaic.” Framed by the arched entrance to the chapel courtyard, it perfectly captured the setting of this contemporary art exhibit in the 12th-century ruins of the Villa Rufolo.

ciao-amalfi-francesco-clemente-villa-rufolo

It was also the catalyst for my reflections on this exhibition. If what is past is prologue, we carry not only who we were in the past with us as we move forward in life, but we also carry with us our family, back to our remotest ancestors in far flung parts of the world we have yet to even imagine. We carry that with us as we go forward, sometimes moving countries, meeting new people, making new families. We are ancient and modern all at once, just like the landscapes we move through.

ciao-amalfi-francesco-clemente-villa-rufolo

Standing with Truth for Ravello 2017 is on display at the Villa Rufolo through the end of September. Entrance to the exhibit is included when you purchase your ticket for the Villa Rufolo. More details available at www.villarufolo.com.

 

Italy Blogging Roundtable

Italy Roundtable
This blog post is part of a series called The Italy Blogging Roundtable. Every month our group of Italy based writers takes on a new theme, and you can read the contributions for this month’s topic – Modern – at the links below. We’d love to hear your thoughts and comments. Please share the stores if you’ve enjoyed them!

ArtTrav

At Home in Tuscany

Bleeding Espresso

Brigolante

Italy ExplainedWhere to See Modern & Contemporary Art in Italy

Girl in Florence

Italofile

 

No Comments

Leave a Comment

Your email address will not be published.